I'm going on vacation!

Touchdown to The Great Work

I wandered over here today and I felt a twinge of guilt about having abandonded this blog in many ways. I am proud of it and I still have an attachment to it, but I am overcommitted, so I have mostly been focused on WildRumpusing.  I think there is a place for both blogs in my world, I just have to figure it out.

Perhaps this will be my gratitude place.

Thanks for visiting, those of you who do. I will try to be better about posting things here. :)

Hello, Pink Blog

I was missing this blog today, so I thought I would pop over and say hi. Hardly anyone comes here anymore, including me, which, I'm sure is why other people don't really stop by - nothing's happening.

It is incredibly hot today - supposed to be the hottest overnight low - 73 degrees overnight. Yuk. It was around 102 degrees during the day time, so everyone is just moving a little more slowly, thinking a little more slowly, conserving energy and trying not to sweat in the first place.

I'm doing some of the Great Work - trying to find more balance in life. Sometimes it works, sometimes not. I'm taking a telecoaching course and struggling, but that's ok. Like it says in "The Velveteen Rabbit" - becoming isn't easy or quick...it is slow and rubs the pink out of our ears.

Life is good. Even when it doesn't feel like it.

Patti Digh is coming to Oregon!!

If you want more information on Patti Digh's appearances in Oregon, click here.

Movie Trailers

Fame:

Where the Wild Things Are

Disney version

I Sing the Body Electric (1980 Fame) 

Portland Center Stage 2009-10 Season

From www.pcs.org:

Okay, Without further ado, Portland Center Stage is pleased to announce the 2009-2010 season lineup:

…
Ragtime
Book by Terrence McNally, lyrics by Lynn Ahrens, and music by Stephen Flaherty
Directed by Chris Coleman
(Main Stage)
September 15 to November 1, 2009
E.L. Doctorow’s sweeping novel comes vividly to life in this Tony Award-winning musical, set against the backdrop of the ragtime craze in New York City. In it, three disparate families intertwine: a wealthy white couple; a Jewish immigrant father and his motherless daughter; and an African American ragtime musician who teaches them all about the surprising interconnections of the human heart, the limitations of justice and the unsettling consequences of dreams permanently deferred. Historical figures like Harry Houdini, J.P. Morgan and Emma Goldman also inhabit this stirring epic, but it is American popular music that carries the story, including marches, cakewalks and — of course – ragtime.
…
Thurgood
by George Stevens, Jr.
(Ellyn Bye Studio)
September 29 to November 22, 2009
One of America’s greatest heroes takes the stage in this powerful new play about Thurgood Marshall, the grandson of a slave who rose from a childhood in the back streets of Baltimore to become our first African-American Supreme Court Justice. Thurgood’s life was a triumph of courage — not just for one man, but for the nation he bravely challenged and proudly served. Called a “a don’t miss event” by the New York press, Thurgood invites us to meet and, perhaps just a little, understand a man whose life story reminds us how critical it is to keep the American dream alive. PCS’ production of Thurgood will star local favorite Wendell Wright.
Special Holiday Offerings!!!
This year the holidays will feature TWO PCS favorite productions, both presented outside of the regular subscription packages.
…
A Christmas Carol
Adapted by Mead Hunter from the novella by Charles Dickens
Directed by Rose Riordan
(Main Stage)
November 24 to December 27, 2009
 Already a Portland holiday tradition, this year Associate Artistic Director Rose Riordan will add her own unique stamp to Mead Hunter’s original adaptation, starting by casting of Portland’s favorite weird and wise old man, Ebbe Roe Smith, as Scrooge. This timeless tale of the gifts that become available when you cross the divide that separates neighbor from neighbor will retain all the sparkle and spookiness Portland has come to expect… but look for the director of The Receptionist and How to Disappear Completely and Never Be Found to add a few intriguing new low lights to the rich texture of the production.
…
The Santaland Diaries
By David Sedaris
Adapted for the stage by Joe Mantello
(Ellyn Bye Studio)
December 3 to December 27, 2009
Based on the outlandish true chronicles of David Sedaris’ experience as Crumpet the Elf in Macy’s Santaland display, this hilarious cult classic riffs on a few of Sedaris’ truly odd encounters with his fellow man during the height of the holiday crunch. NPR humorist and best-selling author of When You Are Engulfed in Flames, Me Talk Pretty One Day and Dress Your Family in Corduroy and Denim, David Sedaris has become one of America’s pre-eminent humor writers. This production will include two late night 10:00 pm performances on December 10th and 17th.
…
Snow Falling on Cedars
adapted for the stage by Kevin McKeon
from the book by David Guterson
(Main Stage)
January 12 to February 7, 2010
Adapted for the stage by Seattle’s Book-it Repertory Theatre (the people who brought us Pride and Prejudice), Northwestern author David Guterson’s haunting story takes place in 1954, on a Puget Sound island so isolated that no one who lives there can afford to make enemies. The island’s white and Japanese-American communities have lived in quiet but uneasy peace, even through the dark days of WWII internment camps and widespread anti-Japanese war hysteria. But when Kabuo Miyamoto is charged with murder and it turns out that his wife’s spurned white lover Ishmael holds the information that could set him free, the island’s secret prejudices, jealousies and ancient grievances threaten to boil over into an act of injustice from which there can be no return.
…
The Chosen
adapted by Aaron Posner
from the Chaim Potok novel
(Ellyn Bye Studio)
February 2 to April 11, 2010
This award-winning adaptation from the award-winning novel is the coming-of-age story of two boys growing up in two very different Jewish communities—“five blocks and a world apart”—in Williamsburg, Brooklyn, in the 1940s. In it, Danny, the brilliant and curious son of a Hasidic rabbi, struggles with his longing to know more of the world and his father’s unwillingness to speak to him when they are not studying the Torah. After a heated fight at a baseball game, Danny befriends Reuven, an Orthodox Jew from a nearby neighborhood who becomes a friend and a partner in investigating both their shared Jewish heritage and their wildly divergent family environments and hopes for the future. When Danny’s father prohibits him from speaking to Reuven because of a political disagreement about a nascent Israeli state, both boys learn that the bonds of religion, friendship and community are both more brittle and more binding than they could have possibly imagined.
…
Joe Turner’s Come and Gone
By August Wilson
(Main Stage)
April 6 to May 2, 2009
One of the masterpieces of August Wilson’s ten-play Century Cycle, Joe Turner’s Come and Gone follows Harold Loomis, who appears in Pittsburgh in 1911 to reunite his family after spending seven years on a Joe Turner’s chain gang. Surrounded by the vibrant tenants of a black boarding house, he fights for his soul and his song in the dawning days of a century without slavery. The San Francisco chronicle recently called Joe Turner “Powerful, joyously musical and chillingly visionary…How far we’ve come…The high of [President] Barack Obama’s victory gain[s] deeper resonances from August Wilson’s dramatic depiction of the lives of African Americans just a few generations ago.”
…
The Best So Far
by Marcy Heisler and Zina Goldrich
(Ellyn Bye Studio)
May 4 to June 27, 2010
From one of the hottest team of songwriters in New York, whose clever cabaret songs have been covered by the likes of Kristin Chenowith (“Taylor the Latte Boy”) and Terence Mann (Dear Edwina),comes the world premiere of a new musical as saucy, zany and romantic as a carriage ride through Central Park. Like a Cole Porter musical scathingly edited by Dorothy Parker, The Best So Far takes a bumpy, giggling ride through the wilds of modern romantic relationships. Whether the characters are 18 or 80, the terror and thrill of leaping into commitment looms large and keeps them spinning.
…
The 25th Annual Putnam County Spelling Bee 
lyrics and music by William Finn
book by Rachel Sheinkin
(Main Stage)
May 25 to June 27, 2010

Rounding out the season is a hilarious tale of overacheiver’s angst from the author of Falsettos and A New Brain. This unlikeliest of hit musicals draws the audience directly into the action, bringing 4 nerdtastic audience members onto the stage each night to compete alongside some of America’s unlikeliest kid heroes: a quirky yet charming mix of awkward outsiders, divided by their stereotypes (the hyper-achieving Asian kid, the over-precious daughter of gay dads, the goober snorting nerd, the underachieving hippie kid) and united by the discovery that a spelling bee may be the only place on the planet where they can both stand out and fit in.

Season subscriptions open for sale on February 23rd. Want to subscribe RIGHT NOW? Call the box office at 503.445.3700 and they’ll get you all set up.

Single tickets range from $24 to $64 with student rates available. The night of show Rush discount returns this year, with a slightly higher $15 ticket price.

Evening performances in both the Main Stage and the Studio begin at 7:30 pm, with weekday matinees at noon and weekend matinees at 2 pm.

**Note from Jean:  I did not look for interpreted performance dates for PCS yet.  It usually takes them a little time, so I didn't even look.

Also, I read on the website that the Season Tickets renewal option online was not working properly and patrons were a little frustrated.  I would call first if you are renewing your seats.

Broadway in Portland 2009-10 Season

Fiddler On the Roof

August 25-30, 2009. Interpreted performance is Thursday evening.

Last chance to see Topol as Tevya.  

August: Osage County

October 20-25, 2009. Interpreted performance on Thursday evening.

Legally Blonde: The Musical
February 16-21, 2010. Interpreted performance on Thursday evening.

Cats
March 23-28, 2010. Interpreted performance on Thursday evening.






Dreamgirls
April 6-11, 2010. Interpreted performance on Thursday evening.






Cirque Dreams: Illumination
April 20-25, 2010. No interpreters necessary.







The Lion King
June 16-July 11, 2010. Interpreted performance(s) TBD.

Lack of Balance

When I first started blogging, I couldn't decide what I wanted to do and I couldn't decide if I wanted to be found and what mood I wanted...I like my main blog, but I also really am attached to this one - to the name, to what I was doing to learn all this stuff...

Unfortunately, I have not really struck a balance between the two.  

Right now, I'm going to put stuff over here that is about things that are purely selfish - my own interests, my own communication to myself, music that I find interesting, etc.  The other blog is more thought-ful - in a different way.

Anyway, I'm still here. :)

Catching Myself Up

I have been mostly focused on my other blog...the first one...but I wanted to come over here and get caught up. I think I started this blog to make sure I could do it...I wasn't ready to fully commit on WildRumpusing.

Last year, in March and April, I participated in Nablopomo and I finished both months. I am doing it now in the other blog and I have been keeping the "I Did it" badges so I can tally the months I fulfilled my commitment. :) I am proud of the months I have been able to do it and I have refined my technique since the spring.

So, to honor my two months of Nablopomo here, I wanted to post my badges for April and March.

International Harry Potter Trailer

I found this "International" version of a trailer for "Harry Potter and the Half-Blood Prince".



Why do we always get dumbed down versions of books, trailers and movies in the U.S.? Why do we stand for it? It is so annoying. But I guess the people who are responsible for these things are right- we never protest that things have been dumbed down or made less complicated or more violent for our viewing benefit. I just don't get it...sigh.

Hermiting

I don't know why, but lately, I just don't want to leave the house on the weekends. I like being away from people, away from expectations. I want to go to the movies - I want to see "Benjamin Button" and "The Reader" and "Marley and Me" and "Bolt" and "Madagasgar II" but once it gets down to it, I just can't pry myself from the house.

Part of it is escaping the routine - get up, shower, get ready, leave, come home tired, go to bed and do it all over again the next day. Part of it is the isolation from people.

I want to break out of it, but at the same time, it is just so nice to be HOME. I'm sure it is a phase. When the weather is warmer, I usually get out more. I guess I will wait for it to pass or for spring to come.